It was late last week that – though I had intended to set out on a deliberate wandering through Matthew Dickerson’s Following Gandalf – I instead got distracted and necessarily delayed. Believing it important to clarify a possible misconception regarding Tolkien and Middle-earth, I wrote an explanation of what Tolkien (and C.S. Lewis) meant when they referred to Christianity and the Gospel as “True Myth.” Having made the distinction between that which is true – the Bible – and that which merely approximates and approaches truth – The Silmarillion, The Lord of the Rings, Unfinished Tales, and other writings of Tolkien – I turn now to Dickerson’s book itself.
As I wrote in that earlier post, there has been no book (other than Scripture and Tolkien’s works) that has influenced, encouraged, enlightened, or informed me more about the reality and nature of Middle-earth – and, indeed, my own spiritual life – than Following Gandalf. Dickerson, who teaches at Middlebury College (VT), was director of the New England Young Writer’s Conference at Breadloaf at the time he wrote his book. Speaking of Tolkien’s influence on his own life, Dickerson said Tolkien’s writings have been
a constant, profound influence throughout my whole life, helping me to be a better thinker and a more imaginative person. And, of course, it’s not just my thinking but the training of my moral imagination to try to live out moral virtue heroically.” – (personal email)
I found the last fragments of that comment – “the training of my moral imagination” and attempting “to live out moral virtue heroically” to be a concise and insightful description of the impact Following Gandalf has had on me and those with whom I have shared and discussed the book. Hopefully, in this series of posts, I can convey a small part of that influence to you. To accomplish that, I will rely on Dickerson’s own words a great deal.
The book begins with an explanation of the title itself: Following Gandalf. Dickerson places us in Minas Tirith at a time when almost everything seems to be going wrong and allows us, along with Pippin, to capture a sense about Gandalf that might easily be overlooked. Following an exchange and interrogation involving Denethor, Gandalf, and Pippin, Tolkien writes,
Pippin glanced in some wonder at the face now close beside his own, for the sound of that laugh had been gay and merry. Yet in the wizard’s face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth.” – - ROTK, p 742
Reflecting on this intriguing passage, Dickerson asks rhetorically and immediately answers,
Could it be the case that Gandalf has some sort of wisdom or knowledge that penetrates beyond what is visible to everybody else – the desperation of the situation that is so evident to Pippin and Denethor – and enables the wizard to take hope and joy in something invisible that is nonetheless real and true? . . . Gandalf is aware that there is both a seen world and an unseen world; reality includes both a material plane and a spiritual plane. Furthermore, these two planes touch upon each other and affect each other.” – FG, p 12
Dickerson’s approach in his book is to view the story of The Lord of the Rings from Gandalf’s perspective, i.e., from the perspective of one who looks not only upon that which is seen but upon that which is not seen, as well. Gandalf’s perspective is, ultimately, an eternal perspective.
Dickerson continues,
The point of this book, however, is that Tolkien’s deep philosophical and theological convictions also course thoroughly through the veins of his work. In particular, Tolkien’s understanding of Man (male and female) as having been created in the image of a Creator – and thus not only being endowed with the possibility of real moral choice, but being given the corresponding responsibility that goes with it – is the central theme in his writing.” – FG, p 13
Even as Tolkien’s saga is timeless, so is Dickerson’s book timeless to a large extent. Nevertheless, Dickerson’s 2003 book is also timely, even as Tolkien’s was in its initial release (1955). Following Gandalf provides insight into the times during which Tolkien wrote. Along with Lewis, Tolkien in his writings was reacting to a philosophical shift and social sea change. As he draws our attention to the changes going on in our own day, Dickerson notes,
Tolkien’s basic philosophical beliefs were also in contradiction to the prevailing materialist presuppositions of modernism as well as the relativism of postmodernism, especially with respect to his views on human free will and objective morality.” – FG, p 14
Dickerson ends his introduction by illuminating two additional, major themes that occur throughout his own book as well as The Lord of the Rings:
. . . a central theme in all of Tolkien’s writing: the reality of human free will and the moral responsibility that goes with it. It is the ‘doom of choice,’ as Aragorn calls it when questioned by Éomer. . . .
Underlying this whole discussion is Tolkien’s belief that the reality of the universe involves both spiritual and physical planes: both the seen and unseen dimensions. Tolkien was challenging his readers to look beyond the temporal values of the moment to see the eternal values where the spiritual and physical planes come together: at eternity. – FG, p 17
Next: Following Gandalf . . . to war
Related Tags: Tolkien, Dickerson, Following Gandalf, The Lord of the Rings, Middle-earth, Christianity, Free Will, Human Responsibility
Namárië.
Let’s say, for argument’s sake, that I have been able to accurately identify the Beast of Revelation. After years to exegetical, historical, and theological work – and also reading the Gnostic gospels and even The Da Vinci Code – I determine that the Beast of Revelation is Alec Baldwin, erstwhile actor and expert on everything.
I’m also confident that some of you have noticed that I put Alec on the right and Ann on the left: this is what’s known as irony in my own sardonic, iconoclastic mind.)